Posts Tagged ‘fair use’

By Daniel Davidson

These past few years, musicians have made it no secret that they prefer that the Republican Party not use their music.  Last year I reported on a story that consisted of David Byrne, lead singer of the Talking Heads, against Charlie Crist, Florida Govener.  You may recall, Crist was running for the U.S. Senate and ran an ad which contained Talking Head’s song “Road to Nowhere.”  In that case, Crist accepted settlement of a YouTube video where he “sincerely” apologizes for his misappropriation of the song.

In a recent case filed by Frank Sullivan, co-author of the inspirational song “Eye of the Tiger,” another Republican politician has become a target, this time Newt Gingrich.  This instance smells vaguely familiar to John McCain’s run in with musician Jackson Brown for he and the Ohio Republican Party’s use of “Running on Empty” at a rally.

No response has been filed on behalf of Newt, yet, but I would expect a fair use defense to be applied.  In most of the cases filed against politicians involving unauthorized use of songs (since fair use isn’t a defense to rendezvous in the oval office), a fair use defense has been raised, but no opinion has ever been given by the courts.  This leaves the question of whether politicians are able to use a song under the fair use blanket.  Also, if the campaign had purchased an ASCAP or SESAC license, a defense that they have authorized use is also plausible.  Newt’s worker bees have yet to comment on this present situation.

I would imagine that a quick resolution will be reached between the parties since Newt has no time to deal with a lawsuit while trailing in the polls.  This is unfortunate because I would like to see one of these taken all the way to the end.  That way the long running question will be answered.  Cheers.

Scott Nyman

 

You’d be surprised how often I have people tell me about how they’ve figured out way protect their intellectual property without following the patent, copyright, and trademark laws. Practicing intellectual property law, I usually have to let them down gently that their elaborate scheme won’t get them any protection. I have include a few myths below:

“Post office copyright” or “Poor Man’s Copyright”

The myth: If you send a copy of a work of art to yourself through the mail, you will protect yourself as of the date stamped on the postage.

The truth: The copyright laws of the U.S. do not include a provision for such practice. In fact, the U.S. Copyright Office expressly states that the “Poor Man’s Copyright” is no substitute for registration. All you get out of this is a waste of postage.

The 10% rule

The myth: If you change a copyrighted work at least 10%, you can’t be liable for infringement.

The truth: Some people base their faith for this myth in fair use. Fair use allows limited reproduction of copyrighted materials for specific purposes, such as review, criticism, or scholarly application. Again, the U.S. Copyright Office expressly states that “There is no specific number of words, lines, or notes that may safely be taken without permission.”

Copyright ownership requires registration

The myth: In order to own a copyright for you work, you must register it with the U.S. Copyright Office.

The truth: You actually own the copyright the to your work of art, legally vesting your rights, the once the work is fixed in a tangible medium. The statutes clarify that, “A work is “fixed” in a tangible medium of expression when its embodiment in a copy or phonorecord, by or under the authority of the author, is sufficiently permanent or stable to permit it to be perceived, reproduced, or otherwise communicated for a period of more than transitory duration. A work consisting of sounds, images, or both, that are being transmitted, is “fixed” for purposes of this title if a fixation of the work is being made simultaneously with its transmission.”

Followup myth: Then there is no need to register if I already own the copyright.

The truth: Owning the copyright is great and all, but to enforce your rights, you may have to bring a suit for infringement against would-be infringers. You would bring this suit in federal court, and for that you’ll need to have your copyright federally registered.

Copyrights must have a notice

The myth: In order to enforce a copyright, it must be accompanied by the “Circle-C.”

The truth, directly from the U.S. Copyright Office: “While use of a copyright notice was once required as a condition of copyright protection, it is now optional.”

 

Also, check out my previous article on the “Poor Man’s Patent” for more myth breaking goodness.

 

By Daniel Davidson

Many may be familiar with the funny, over-the-top, make you blush, say “wow,” show South Park which is featured on Comedy Central.  Many may also be familiar with the flamboyant, over-the-top, make you blush, song and video, “What What (In the Butt)” by Samwell.  The reason the adjective sharing music video and TV series are being mentioned in the same story?

They are subjects of a lawsuit filed last November by Brownmark films, the copyright holder of the “What What (In the Butt)” video, against Viacom and Comedy Central for allegedly ripping off the video in an episode of South Park.  In Viacom’s Answer, the company contended that their animated use of the video was a parody and fell in the net of “fair use” exceptions.  Please, enjoy the videos, and then read on.

www.youtube.com/watch?feature=player_embedded&v=fbGkxcY7YFU 

www.southparkstudios.com/clips/165193/what-what-in-the-butt 

Ultimately, a Wisconsin Federal Judge agreed with them by granting the Defendant Summary Judgment on its “fair use” contention.

Let’s take a look at the elements that the Judge weighed to come to their conclusion.  According to 17 U.S.C. §107, “the fair use of a copyrighted work…for purposes such as criticism [or] comment…is not an infringement…”  As many of you would agree, South Park’s use could be likened to a Weird Al parody, minus using the same chorus, and parody can claim fair use.

The four factors engrained by the Courts are:  1.) “the purpose and character of the use, including whether such use is of a commercial nature,” (how transformative the new work is)  2.) “the nature of the copyrighted work,” (usually not very helpful in parody cases because they usually always copy well known works) 3.) “the amount and substantiality of the portion used in a relation to the copyright work as a whole,” (self explanatory) and 4.) “the effect of the use upon the potential market for or value of the copyrighted work.” 

The Wisconsin Judge applied this test and decided that South Park’s use was transformative enough, was only a minute in a 25 minute episode, and wouldn’t affect whatever market that the Samwell video enjoys.

 I think there may have been another factor that the Judge added, saying South Park was simply trying “to lampoon the recent craze in our society of watching video clips on the internet that are — to be kind — of rather low artistic sophistication and quality.”  (Hinting at a fifth factor of who cares if terrible YouTube videos are parodied).  Cheers.

By: Mark R. Malek

According to a story by an Australian publication titled “Business with Wall Street Journal,” Groupon has filed a suit against two Australian brothers that have purchased the domain http://www.groupon.com.au.  As indicated by the Groupon CEO in the article, as Groupon has become more popular, it has also become a target for “opportunistic domain squatters.”

No kidding!  It is almost a guarantee that anytime this set of facts comes up, it will soon be followed by cybersquatting. In other words, if you can name a trademark that became popular almost overnight, I will show you a case of cybersquatting. Cybersquatting occurs when someone registers a domain name that is the trademark (or substantially the trademark) of another.  For example, if I was on top of things way back in the day, I might have been able to register Nike.com.  I’d bet that the good people over at Nike would not have been too happy about it.  However, back then, i.e., when Al Gore first invented the internet (see background on my ongoing joke here), there was not a great deal of cases or legislation that dealt with what eventually became an issue – cybersquatting.  As such, and if I was somehow able to have registered Nike.com, the big plan would have been to somehow make money off of it.  That could be accomplished in one of two ways.  First, I could hold it hostage and wait for Nike to send me a huge paycheck.  Alternately, I could just start engaging in commerce and people who would normally be looking for Nike products would come across my products instead.

As you can imagine, that is not something that powerful companies with expensive trademark portfolios (and money for lobbyists) really liked.  We eventually saw laws and cases that took this type of behavior into account.  That is why we have very clear case law on that which constitutes cybersquatting (apparently called domain squatting in Australia).  The facts that I read in this story seemed pretty dead on, but I do not purport to be an expert on Australian law.

The perplexing thing about this case is that Groupon apparently offered the brothers about $300,000 to resolve the matter and turn over the domain name.  When it was turned down, I suspect that there were a group of people from the business development department at Groupon sitting around and scratching their heads trying to figure out why such an offer was turned down….probably the same way that a similar group at Google has been sitting around a table trying to figure out why Groupon turned down a $6Billion (yes, Billion with a B) offer.

By: Mark R. Malek

As you may have already heard, Facebook has been in the process of vigorously enforcing its intellectual property.  Some commentators, such as, for example, ME, have likened their tactics to bullying, thereby providing them with the title of IP Bully.  Check out some of my previous gripes about Facebook here and here.

The way I suspect this goes is that a group of attorneys representing Facebook sit in a room with a list generated by some searchers of every single instance of use of the word “face” and/or “book” on the same web page.  Sure, these have to be filtered, but who cares about the labor costs involved with that?  The real costs of this crusade begin to add up when Facebook’s team of attorneys sit around that table to look at the results.  Let’s say that there is about $2500/hour sitting around that table.  It seems as though it was not too long ago, the words “face” and “book” were commonly used words that were found in any dictionary.  On any given day, I will use those words in communicating with my two year old.  For example, a typical sentence close to bedtime might just be “Let’s go wash your face so that we can read a book and go to sleep.”  I have no idea how to communicate something like that now.  The way that Facebook is going after everyone under the sun for using the words “face” or “book,” I think I may have to consider another option.  For example, maybe I will say, “Let’s go wash the portion of your body extending from your forehead down to your chin so that we can engage in entertainment by me reading words from a bound document that results in a story and go to sleep.”  Whew, I feel like I just wrote a claim for a patent application.

Am I exaggerating the situation?  Of course!  It makes for better reading.

With that in mind, however, there was at least one recipient of the dreaded Facebook cease and desist letters that wasn’t going to stand for the threats – Lamebook.  If you haven’t been to the Lamebook site (http://www.lamebook.com), take a second to check it out.  It is truly quite entertaining.  As you can see, Lamebook takes the funniest stuff that can possibly be found on Facebook and posts it.

After receiving the Facebook cease and desist letter, Lamebook decided to take matters into their own hands – in a matter of speaking.  Upon being threatened with a lawsuit, Lamebook actually filed a suit of their own asking the court to declare that their use of the “Lamebook” mark did not infringe on any of the Facebook trademarks.  You can read the complaint here.  The complaint is actually short, sweet and to the point – very unlike most complaints I have read lately.  As eloquently pointed out in the complaint:

“The Lamebook website is a parody website that highlights the funny, absurd and often ‘lame’ content that gets posted on the Facebook website.  Each weekday, the Lamebook website is updated with new ‘lame’ Facebook content for its users to view and comment on.  Unlike the Facebook website, the Lamebook website does not offer social networking services or functionality to its users and, therefore, does not compete with Facebook.”

Seems like a reasonable enough explanation, right?  Unfortunately, wrong.  The problem pretty much lies in the very same paragraph of the complaint.  “The parody has proven to be effective for Lamebook….the Lamebook website has become a popular destination for people to poke fun at and comment on the kind of pictures, comments, and messages that get posted on the world’s most popular social networking site.”  This sure does sound like a type of social networking to me.  If people can leave comments regarding a particular post, I have to assume that you can read the comments of others.  Of course, with enough popularity, the commentators will start commenting on one another’s posts.  This reeks of social networking.  Therefore, in my humble opinion, the argument that Lamebook does not offer social networking services is out.

It is my suspicion that this argument is directed to an allegation that the use of the mark “Lamebook” infringes on the “Facebook” trademarks.  The Lamebook Attorneys are likely trying to show that since Lamebook provides a different service, they are likely not to be confused with Facebook and, therefore, do not infringe on the “Facebook” marks.  The big issue that needs to be resolved, however, is the similarity of the trademarks.  As you can see, Lamebook did not exactly go out of its way to create a completely different mark.  Again, however, it is not as though someone took a look at the “Lamebook” trademark and got confused as to the source of the services, i.e., it is not as though someone was looking for “Facebook,” came across “Lamebook” and figured it was the same thing.

I'm so famous I can jump up on Oprah's sofa!

Let’s turn our focus to trademark dilution.  Trademark dilution is a cause of action that is generally reserved for “famous” trademarks.  Many people confuse trademark infringement with trademark dilution.  Trademark infringement can broadly be described as an unauthorized use of one’s trademark that causes a likelihood of confusion.  That is not the case with liability under trademark dilution.  No likelihood of confusion needs to be shown.  Instead, trademark dilution requires a showing that unauthorized use of a trademark dilutes the distinctive quality of the trademark.  The biggest issue that I often see with trademark dilution is that it is a cause of action that is brought for trademarks that do not possess a great deal of distinctive quality.  That is why I noted that trademark dilution is generally reserved for “famous” trademarks.

Turning our attention back to the case at hand, I think we can all agree that the Facebook mark is famous.  When someone tells me that they are not on Facebook, I look at them as if I am staring at someone that still uses a rotary telephone.  I find it hard to believe.  An issue here, therefore, is whether use of the “Lamebook” mark dilutes the distinctiveness of the “Facebook” trademark.  This one’s a toss-up for me.

Next, we need to address the parody issue.  A parody is a work of art that pokes fun at something/someone.  Any student of professor Gene Quinn, founder of IPWatchdog remember his final exams in Copyright Law where he would wheel in a television, pop a tape into the VCR (yes, we used VCR’s then) and played the Michael Jackson “Beat It” video, followed by the Weird Al Yankovic “Eat It” video.  The test question is something like “you are Weird Al’s attorney and he has asked you if it is ok to release this video.”  Then we would spend the next three hours feverishly writing our answer into blue books (yes we had to write our answers out using a pen and paper).  The answer that you needed to get to in order to pass Gene’s class was – this is a parody because it is taking a shot at Michael Jackson and, therefore, it is a fair use.


So how does this apply to the Lamebook case?  I believe that if Lamebook is going to rely on the doctrine of “parody” to note that they do not infringe on Facebook’s intellectual property rights, they will have to prove that the content on the Lamebook site is a way of poking fun at Facebook.  This is arguable, but, in my opinion, not a slam dunk.  When I took a look at the Lamebook site, it appears as though they are posting the “lamest” stuff on Facebook.  To me, it seems as though they are making fun of the people that post this stuff, and believe me, it is some pretty ridiculous stuff.  I suppose that Lamebook may argue that without Facebook, this lame stuff would not be posted.  Again, this is arguable at best.

Lamebook also argues that the content on their site is protected by the First Amendment of the Constitution, i.e., protected free speech.  I was under the impression that all Lamebook is doing is re-posting the “lame” things they find on Facebook.  Doesn’t that make the speech to be protected that of the “lame” people that post the stuff on Facebook in the first place?

I will be posting more about this article, but in the meantime, I need to turn my attention to the fact that a trademark was just issued to Facebook for “Face.”  Please stay tuned for my next article in this series of “Facebook Intellectual Property Enforcement Tactics” that will dissect the prosecution history of the “Face” trademark.


SUNDAY, FEBRUARY 05, 2012

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