Posts Tagged ‘movie’

By: Mark R. Malek

If you have read my articles in the past, you may have figured out that I frequent the Disney Theme Parks often, and I watch most all of the Pixar movies (see my most recent article about Disney here).  I would like to blame that on my kids but, in all honesty, I was a Disney season passholder and a fan of the Pixar movies long before I had kids.  I do like most of the Pixar movies (with exception to Wall-E) and, since Steve Jobs was a majority stakeholder in Pixar, I was somewhat saddened by his passing last month.

I came across a story last week in the Wall Street Journal that caught my eye.  As it turns out, an oil and gas company in Calgary, Alberta announced that it would organize its oil sands and carbonate bitumen interests into a subsidiary called Pixar Petroleum Corp. Even more interesting, however, is the name of Pixar Petroleum’s parent company – Paramount Resources Ltd.  The article went on to note that Paramount Resources Ltd. also has a subsidiary named Fox Drilling Inc., and maintains an interest in MGM Energy Corp.

It seems to me that this is just a group that gets a kick out of choosing names for their companies that are similar to those of the movie industry. Who knows, maybe these folks are big movie fans. It is not as though the names are not famous. Most everyone has seen a movie made by one of these companies in the past few years.  Disney Enterprises, Inc. owns a slew of trademarks on the Pixar name.  There are several different variations, each directed to the different movies that Pixar has created.  It is amazing to me that nobody at Pixar Petroleum stopped for a second and thought, “maybe Disney is not going to like this so much.”  Besides Google and probably GE, is there another company that has deeper pockets that you are looking to pick a fight with?  Probably not.

I understand that the argument for Pixar Petroleum to attempt to make is that there is no likelihood of confusion between the entertainment industry that Disney is involved in with the petroleum industry that Pixar Petroleum is involved in.  The analysis does not end there.  There is a trademark dilution issue that has to be addressed.  Rene Dial has posted some articles on trademark dilution (see here and here). The Wall Street Journal article cited attorney Gloria Phares who noted that “just because you have a mark in one area, like in animation, doesn’t mean you have a monopoly on a mark.” Gloria’s analysis is correct, but I really hate the use of the word monopoly when referring to intellectual property.

Technically speaking, intellectual property rights do not provide a monopoly to the owner. Instead, it provides the owner with the right to exclude others from using their intellectual property. I know that you are now saying “what’s the difference?” The difference, especially in patent law, is that intellectual property does not give you the right to make and sell whatever you have protected – it merely gives you the right to exclude others from doing so. It is a subtle difference, but it is a difference nonetheless. Over time, however, it seems as though intellectual property owners have tried to over force and over interpret the rights that they have. This behavior is, in my opinion, improper, and is the driving force for much opposition to intellectual property rights.  This discussion has to be saved for another article – possibly a series of articles.

Back to the issue at hand – perhaps, as indicated in the Wall Street Journal Article, this was a jab at Disney and Pixar for their recent jabs at big oil.  The plot of Cars 2 (which I saw in the theater with my kids…twice) revolved around big oil trying to destroy a new company that was introducing alternative fuel.  Yes, it was a bit difficult for the kids to follow, but all is forgiven when Mater does something funny.

 

 

 

 

By: Mark R. Malek

In a story that caught my eye, Mike Tyson’s tattoo artist has sued the producers of The Hangover II for copyright infringement.  Before you get any bright ideas – no, we have not turned into a site that focuses on legal issues revolving around tattoos (see post by Aaron Thalwitzer yesterday)  The artist that tattooed Tyson’s face apparently claims that the producers of the movie committed copyright infringement when the tattoo was placed on the face of another actor in the movie.

I can only imagine where that part of the story is going, but I will be sure to see the movie.  As illustrated, at some point in the movie, which is apparently based on a bachelor party in Thailand, “Stu” gets the Tyson face tattoo.  If you saw The Hangover, you would know that their little escapade in Vegas should have been enough to hold this group over for a while….apparently not!

As far as copyright goes, tattoos are works of art and, as such, are copyrightable.  A work of art that is fixed in a tangible medium can be worthy of copyright protection.  Many times, the tattoo artist first draws out the copyright.  It is rare, and probably not a good idea, for the tattoo artist to use the person’s skin as their first canvas.  At least when drawing the tattoo on paper, the artist has the opportunity to make some minor revisions as necessary.

After the tattoo has been fixed to the skin of the eventual wearer, it is again fixed in a tangible medium, i.e., the work of art is fixed onto the skin of the wearer.  Tattoos, however, are not normally placed on people pursuant to a license.  Instead, I believe that in the industry, it may be understood that the tattoo artist is being “commissioned” to create a particular work of art – maybe even a work for hire.  I highly doubt, however, that tattoo artists, or tattoo recipients for that matter, bother with any sort of contract outlining ownership of the work of art prior to putting the tattoo on the user.

A real problem has likely arisen in the past when a tattoo artist has put a very original piece of work on a person, and that tattoo was copied by another artist when put on another person.  I am actually positive that this is a common occurrence – mainly due to ignorance about copyright law.  As for The Hangover II case, we can expect the producers of the movie to put forth several fair use defenses.  I suspect, however, that this is the last we will hear of the story.

By: Scott Nyman

Totally worth a second mortgage.

There’s no secret that the current model for the movie industry is becoming outdated. Gone are the days where moviegoers are willing to tolerate sticky floors and uncomfortable seats for the big screen experience. Today, more and more households are equipped with home theater setups that rival the box office experience. Yet, DVD sales continue to decline, causing the major movie studios to search for new ways to profit from their intellectual properties.

Studio executives are rumored to be in talks with major cable providers about granting subscribers access to new release movies through their on-demand services. Consumers may soon be able to shorten or even completely bypass the 120 day delay between box office and DVD release, albeit at a price. Word on the street suggests studios may charge as much as $30 for the convenience of watching Spiderman 13 on your couch. If this pricing proves successful, studios are expected to increase prices to first born children, your left arm, or a lien on your house.

by Jason Fischer

Happy Friday, IP enthusiasts!  We thought it might be interesting to celebrate the end of this hard-fought work week with a movie recommendation.  So stop by your local movie rental establishment, or add this one to the top of your Netflix queue, nuke a bowl of popcorn, sit back, relax, and enjoy this flick.

Primer Movie PosterPrimer (2004) is a rough cut little gem that is still quite pretty, maybe because of its faults.  It follows the cautionary tale of a couple of engineers who spend their off-work hours tinkering in a garage, looking for that next great technology.  When they stumble across an invention that they don’t fully understand, the drama and suspense begin to heat up.  As they come to realize the magnitude of what they’ve discovered, things boil over with tragic consequences.

Writer/director/producer/editor/star Shane Carruth was literally a one-man show in making this film.  He even composed, recorded, and synchronized the soundtrack.  Being his first effort at film making, one can’t help but be impressed.  It really is no surprise that he took home the Grand Jury Prize at Sundance.

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SUNDAY, FEBRUARY 05, 2012

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